Category: Summer School

Videography Open-studio | led by Nazgol Emami


Summer School for Film, Video and New Media Presents:

Open Studio: Nazgol Emami

New Media Projects

Sunday, Jul 7, 2019 | 6-9 pm

 

Nazgol Emami was born in Tehran in 1978. She lives and works as a filmmaker and media artist in Cologne. Nazgol holds a Master’s degree in Visual Communication from the University of Wuppertal and a diploma in Media Arts from the Academy of Media Arts Cologne.

Since her early career, she has been working as a graphic designer in motion design and a production manager, assistant director for various TV stations (WDR, the Kinderkanal, Disney Channel and Super RTL) and film productions. She created media workshops for children and youngsters on photography, film and animation techniques for museums, art institutions, and schools.

She has been making video design on stage for many theatre productions and musicians, across Germany, Austria, and Greece. Her work has been exhibited and screened in Iran, Turkey, Serbia, Brazil, France, and the US. Further, as an interdisciplinary artist, she engages in various forms of media such as video, animation, photography, design, and architecture in her projects. In her works, she focuses on socially relevant topics such as Identity, migration and working life. Her last short film “The magnifying glass” is an international project supported by the Goethe Institute, Amman. The film is part of the feature film project ›beyond borders – stories of freedom & friendship‹, which has merely aimed immigrant children around the globe as its audience. Since March 2018 “beyond borders” was premiered in German cinemas and was also shown in refugee camps.

 

New Media Projects – No. 3, Araabi 3 Alley, North Kheradmand St. Karimkhan Ave. Tehran 

Tel: 021 88829253

@NewMediaSociety

swim\او | An Open Studio by Setareh Fahtehi

Summer School for film, video and New Media presents:

An Open Studio by Setareh Fahtehi

New Media Projects

June 19, 2019

In her open studio at New Media Projects (swim\او) on June 19, 2019, Setareh Fatehi shared parts of her current researches which have been developed out of her online encounters with her family and friends during the past two years.

In explaining her project; she says “I use the practice of storytelling through screenshots and moving screens to highlight the effect of a temporal frame, focus, and opacity on how the image (story) of my body is pictured. I’ve been practicing choreography as the selection of some fragments from the moving images which are unusually meaningful (instead of useful) and desirable (instead of entertaining). These fragments are chosen and arranged to play with the illusion of coherence.

Film Screening #57 | Micheal Pilz

School of Moving Images & New Media Society in collaboration with Austrian Cultural Forum in Tehran (OKF) present
Screening of 2 films by Micheal Pilz “Cage” and “Rose and Jasmine”

Monday, June 11 and Tuesday, June 12, 2018 – 7 pm


CAGE

140 minutes, Beta SP, 4:3, colour, PAL

In August 1992 we met for a four-week international symposium on dance, music, and film. As a result, the video State of Grace is a cinematic attempt to a maximum of exertion and a maximum of relaxation basing on the thoughts – among others – by John Cage and Chuang Tzu.

  • It was just a beautiful memory to me, it was something like I built up together with fifty more people and then also what we did with the girl, it had a very nice atmosphere, just really the air stopped, I didn’t do it for them but more I have taken their energies into me to do something together like if you make contact with somebody and you don’t know where it will lead, your movement goes somewhere, and it worked very well and then I walked out and the game was going on and I lost this feeling and from that point on when I lost it, it was not so interesting, my wife told me.
  • Your wife?
  • Yes, she told me at the beginning it was so solid, the atmosphere and the air in the room that you could really have cut it and she saw that, my God, what will happen here till the end if it goes on like this, she was really afraid at a point that it would really go too far maybe, because
    it is so –, and then I lost, I just forgot when I entered again, when I went out maybe this experience to me was too much, I forgot about going on with it, it was just somehow, a satisfaction, I should go home instead of running the whole.
  • Maybe you should not have been so satisfied.
  • Yeah, but how can you do that? Yes, you should get a lot of satisfaction during the work and then you are not so surprised when there is satisfaction at the performance.

    Ferenc Kálmán,
    in dialogue with Raffaella Giordano,
    from the film

Rose And Jasmine
Video, 106 minutes
digi-Beta, 16:9, color, stereo

In ancient China before an artist began to paint anything – a tree, for instance – he would sit down in front of it for days, months, years, it didn’t matter how long until he was the tree. He did not identify himself with the tree but he was the tree. This means that there was no space between him and the tree, no space between the observer and the observed, no experiencer experiencing the beauty, the movement, the shadow, the depth of a leaf, the quality of color. He was totally the tree, and in that state only could he paint.
Michael Pilz, Vienna, April 2010


Meditation is to be aware of every thought and of every feeling, never to say it is right or wrong but just to watch it and move with it. In that watching, you begin to understand the whole movement of thought and feeling. And out of this awareness comes silence. Silence put together by thought is stagnation, is dead, but the silence that comes when thought has understood its own beginning, the nature of itself, understood how all thought is never free but always old – this silence is meditation in which the meditator is entirely absent, for the mind has emptied itself of the past.

Jiddu Krishnamurti, Freedom from the Known

A cinematic poem based on the director’s journeys in Iran from 2006-2007. By patiently and gently observing both people and place, Michael Pilz collects images and sounds of ravishing beauty. A meditative experience.
40th International Film Festival Rotterdam, January/February 2011

This event is open to public and free.
New Media Projects: No. 3, Araabi 3 Alley, North Kheradmand St. Karimkhan Ave. Tehran
@newmediasociety

Summer School of Moving Images

School of Moving Images

New Media Society

June-July 2018

New media society is pleased to announce its first [summer] School of Moving Images to be held in June and July 2018. New Media projects in collaboration with Cultural section of German Embassy, Goethe institute and Austrian Cultural Forum in Tehran (OKF) will host a series of seminars, workshops, screenings and talks together with artists, filmmakers and lecturers from Iran and abroad. These programs offer a diverse selection of disciplines, working methods and mediums around the subject of moving images: from experimental cinema to video art and from animation to augmented reality. Using film to new technologies create moving images different working strategies from interview to found footage, and from video essay to expanded cinema. The school hopes to facilitate a space to share knowledge and experience in the absence of academic and professional institutions by tracing a wide range of topics such as the progress moving images in art history to the socio-political aspects of experimental cinema, by referencing key figures and art pieces. Parts of the workshop is also designed cover the practical/technical side of the medium, to help participants in the process of their projects, helping them to enhance their work by knowing more about editing and sound. Reaching to an understanding of experimental ways of expression and extending the medium’s definition and potentials by various means such as group projects, feedback sessions and film screenings, is the aims of this interdisciplinary summer workshop.