Screening

New Media Talk Series #42 | Rambod Vala

New Media Society in collaboration with Limited Access festival presents:

After Image | video screening

Friday, May 5, 2017 – 4 to 7:30 pm

Address:

No 3, Arabi 3, Kheradmand-e Shomali St, Karimkhan Ave. New Media Projects

Rokhdad-e Tazeh Documentary 37: Mohammad Tahami Nejad

Rokhdad-e Tazeh Documentary hold its 37th Session in collaboration with Rybon Documentary, Studio 12 & New Media Society:

4th session from “City and Urban Man” Series, in harmony with the end of the Iranian year &  change of the season focuses on the cinema in Iran in the light of modernisation process.
For this special occasion we gather to watch a crucial & less seen documentary on early Iranian cinema and its history.

We gather at New Media Projects to watch, Iranian cinema from the constitutional Revolution to Sepanta (1970) by Mohammad Tahaminejad on Sunday, March 12, 20176 pm.

Followed by a director talk plus Q&A

Mohammad Tahaminejad was born in1942 in Tehran and studied journalism and cinema and have lectured in film and cinematic research at several universities. The central tendencies in his career had been as follows: 1-Documentary film making on social and cultural topics .His first film Iranian cinema from the constitutional Revolution to Sepanta (1970) was a portrait of Iranian cinema pioneers and the context they challenged with .There he tried to find and assemble some of the Iranian first forgotten lost films in a narrative compilation (hybrid) film together with re-enactment and interviews with silent film personalities . like: Mr. Habibollah Moraad the hero of Haji Agha Actor e cinema ( Ohanian -1933)and director Ebrahim Moradi ( of Bolhavas -1934) and with our first talkie film Dokhtar -e Lor (1933) actress Roohanghiz Saminej ad and others. The film’s perspective supported by a sociologic historical theme as he called searching for disappointment roots (Risheh-yaabiye ya’s). His other films are : Return of the prisoners of war (1991) water distributor’s night (1981) in a desert village and housing crisis in a modern city (1972) 2- He has achieved some qualitative studies since the end of 1960’s. In 1994 he rewrote the script of his first documentary film , and published it. A book which selected as the best book of the year -1995. Two other books are: the cinema of dreams and phantasm (cinemaye ro ya pardaze iran 1986) and Iranian documentary cinema, the field of differentials (arse ye tafavotha-2001) a book about history and ideas. 3-Searching and introducing Iranian fiction and nonfiction (and footage) films had been also his engagement. 4- Documentary cinema from visual anthropological viewpoint and keep in order to (arranging) the visual memories of our contemporary history (nazm bakhshi be khaatere ye basary az tarikh moaser e Iran) are his two other engagements here today 5- Alongside others he has tried also to translate and introduce the new academic and theoretical achievements of the world directly or through comparative and critical works for those who interested. He was one of the three members of board of founders of Iranian Documentary Film Makers association and once its director .

Address:

No 3, Arabi 3, Kheradmand-e Shomali St, Karimkhan Ave. New Media Projects

Poster Designed by Ra Studio | Amir Moghtada

New Media Talk And Screening Series #38 | Mohammadreza Farzad


Blames and Flames
The history of the Iranian revolution is interwoven with the history of cinema: In 1978, on the verge of the revolution, more than 130 cinemas burned down across Iran, 28 of these in Tehran. Who was responsible? Cinema became a major matter of contention on the cultural battleground as the revou The public was outraged and demanded answers: Which films should be shown, which not? Which films will be made, which not? Which movie theater will be kept, which abandoned? And of course: How much will a ticket cost? Composed entirely of archive material and equipped with a groovy jazz score, BLAMES & FLAMES is a brilliant essay film, and a meditation on the role of cinema, television and film in any society.

Into Thin Air ( 2011 )
In the early hours of Friday, September 20, 1979, a curfew was announced in Tehran and several other cities in Iran. That same morning, soldiers positioned in zhaleh Square, in the heart of Iran’s capital, opened fire on the people uninformed of the curfew. The exact number of the killed and the missing, most of whom were everyday people, has never been known. Not only the eyes of the cameras missed this slaughter of innocent people but it faced also the state-run media censorship. Before this film, the only cinematic evidence of this incident was a less-than-a-minute footage from an unidentified person’s camera; an evidence which was published as a document after the fall of the governing regime and turned into one of the most horrendous reminiscences of the 1987 revolution. “Into Thin Air” is the picture-reading of a documented reminiscence and a narrative of the “victim” on the fringe of all political massacres. This might be the story of all yesterday and today’s victims of political massacres in my home and that of yours.

Mohamadreza Farzad
Born September 1978, Graduated MA in theater study from Tehran university of fine Arts. He started his art career as poet and translator published half dozens of books.
As documentary filmmaker he has made some films Awarded and screened in national and international film Festivals. His first and second films “Into Thin Air” and “Blames and Flames” premiered at Berlinale 2011, 2012, shown in almost 30 film festivals till now. His third titled “Forget-Me-Not Egg” premiered at Thessaloniki film festival (2013) screened in dozens of International film events. His latest debut feature documentary “Wedding: A Film” (2015) Premiered in “Next Masters” competition of Leipzig documentary film festival, now going into film events across the world. Farzad has been a PHD student in Film Factory headed by legendary Hungarian auteur Bela Tarr. He also acted as jury member in some International film festivals.

wall newspaper: 79 revolution | ِDialogue with Revolution

Wall Newspaper project in its second event, presents two documentary films directed by Robert Safarian

we gather at new media projects to watch, 14 of Aban, The Day of Fire and Dialogue with Revolution on Monday, Feb 27, 2017 at 6 pm.

Rokhdad-e Tazeh Documentary 35: Mina Keshavarz

Rokhdad-e Tazeh Documentary hold its 35th Session in collaboration with Rybon Documentary, Studio 12 & New Media Society:

2nd session from City and Urban Man Series

Among the Waves – 2014
Film by Mina Keshavarz
Sunday, Feb 12, 2017 – 6 pm

Among the waves is a documentary about Rogheyeh, is a woman living in the city of Minab in South of Iran and to create a secure job female street sellers established a local bazaar for them. More than 800 women are working there but the municipality is against this…

Address:
No 3, Arabi 3, Kheradmand-e Shomali St, Karimkhan Ave. New Media Projects

Poster Designed by Ra Studio | Amir Moghtada

Rokhdad-e Tazeh Documentary 34: Khosrow Sinai


Rokhdad-e Tazeh Documentary hold its 34th Session in collaboration with Rybon Documentary, Studio 12 & New Media Society:

1st session from City and Urban Man Series
3 short films by Khosrow Sinai
Sunday, Jan 29, 2017 – 6 pm

Program:

A sound that becomes antique 1966
Ars Poetica 1968
Sardi Ahan (1969)

We will watch and discuss 3 short films together with the acclaimed director Khosrow Sinai, the event starts as usual at 6 pm at New Media Projects, sharp and there will be a 10.000 Tomans, entrance fee.IMPORTANT: Please RSVP to reserve your seat with Mr. Masoud Mashayekhi via Telegram or SMS (09032021931).

Address:
No 3, Arabi 3, Kheradmand-e Shomali St, Karimkhan Ave. New Media Projects

Poster Designed by Ra Studio | Amir Moghtada

Parishani, a video program on Mental Distress

Open Wounds by Simin Yaghoubi

Parishani video program: Still from Open Wounds by Simin Yaghoubi

Parking video library in collaboration with New Media Society present

Parishani
A film and video program on Mental Distress
Curated  by Amirali Ghasemi

Friday, November 25, 2016
5-8 pm

The program wishes to investigate Mental illnesses and its reflection in a gradient of works by Iranian artists from different disciplines, Using moving images. Ranging from photography to music video, and from performance to experimental film, works are carefully selected and offer perspectives on the issue from various angles from artists who try to be self-aware to situations occurs to the human body in transition. Parishani was once shown in an independent cinema in the city of Gent, Belgium in collaboration with Mahdieh Fahimi.

Part 1
Farid Jafari Samarghandi | Rozita Sharafjahan | Simin Keramati | Neda Razavipour | Anahita Hekmat | Payam Mofidi | Rambod Vala |

Part 2
Amir Mobed | Tala Vahabzadeh | Narges Naseri | Celia Eslamieh Shomal | Shirin Mohammad | Rasoul Ashtari | Simin Yaghoubi | Allahyar Najafi

On the loop
Ramyar Vala | Sona Safaei Sooreh

New Media Projects
Address: No. 3, Arabi 3 st., Kheradmand St., Karimkhan Ave., Tehran

New Media Talk Series #23 | AIDIN BAGHERI

New Media Talk Series #23
New Media Society in collaboration with Lajevardi Foundation

City Walls, a film by Aidin Bagheri
Wednesday, 27th April 2016 – 7 PM

City Walls, a film by AIdin Bagheri | Poster by Saman Khosravi

City Walls, a film by AIdin Bagheri | Poster by Saman Khosravi

On Wednesday, April 27, 2016, “City Walls” a documentary film by Aidin Bagheri will be screened at Lajevardi Foundation from 7 pm, the event follows with a conversation between the director and Zarvan Rouhbakshan, art critique, University lecturer and Artist. They will open the Q&A session for the public. Bagheri writes about his film which has a brief look at urban art and graffiti art in Iran:

How our city can be desirable? How much the city landscapes are influential on our feeling of satisfaction? Can can right to adjust the city** be used in order to achieve the satisfaction without opposition to the city jurisdiction? Questions like this made us to investigate a fully available and new phenomenon like unofficial wall-writing** and to analyse it with a sociological approach in the form of image and interview with the writers and experts. This documentary tries to pose the problems and obstacle which these wall-writers are facing or if their activity causes a destruction to the face of the city or if it is an act of sabotage of an artistic action regardless of aesthetic subject or a routine resistance in opposition to the urban order in addition to a relative introduction of this phenomenon.

Duration: 60 minutes

Aidin Bagheri (b.1991, Tehran, Iran) is a sociologist, researcher, social documentary filmmaker and photographer. He graduated from Azad university of Tehran with a BA in social science in 2013. Also he graduated in 2015 with a MA in sociology from the same university, with an emphasis on the research on relation between social / civil issues as well as photography. His research is reflected in some articles and documentary films such as his recent films “city walls” and “Tehran Slack-Liners”. He is currently working with photography, collage and video besides his following his social science research.

Where: Lajevardi Foundation
No.20, Sepand Street, Nejatollahi Street,
Karimkhan zand Street, Tehran.
Tel: +9821 88921745

for More information:
www.newmedidasoc.com

Poster designed by Saman Khosravi

New Media Talk Series #19 | Marika Kuzmicz

New Media Society & Limited Access Festival in collaboration with Aaran art Gallery and Polish Embassy in Tehran present:

Polish Video Art (1973-1979) – Yet Unwritten Story
Lectuer by Dr. Marika Kuzmicz
Saturday 27 Feb, 2016. 6 – 7 PM
Aaran Projects, room 2

Yet Unwritten story - Polish Video Art 1973 - 1979 - Limited Access 6 Festival for Moving Image, Sound & Performance

Yet Unwritten story – Polish Video Art 1973 – 1979

Video art in Poland first emerged in the early 70s. Despite the inaccessibility of equipment (like video cameras) in that time in Poland, video soon became important medium, used by polish artists in diverse ways.

Avant-garde artists (members of independent experimental groups like Workshop of the Film Form and Gallery of Current Art), based on their experience of experimental film, explored the relationship between reality (visual reality) and the perception of the viewers.
According to this, they used video to make viewers fully aware of traps and manipulations of mass-media and of reality. They analysed the properties of broadcast television and it role in everyday reality in communist country. Only a few of them, like Paweł Kwiek and Jolanta Marcolla (first polish female video artist) received access to the TV Studio. The result of this situation were significant works of Kwiek “Video A”, “Video C” and “Video P” (1974/5) and – not preserved works of Marcolla “Dimension 1-4” (1975).
Polish video art of that time includes also video installations by Wojciech Bruszewski and Andrzej Różycki among others. Installations are evidences of intensive examination of the nature of this medium in the field of visual art in Poland and exploring its potential of communication of abstract ideas or communication, in general.
History of early polish video still need to be developed but for now, important video works are accessible in Arton Foundation on-line repository. The goal of that document is to present selected, significant works and artists, based on the content collected by Arton Foundation since 2011.

Dr. Marika Kuzmicz – a graduate of art history at the University of Warsaw, PhD in Institute of Art, Polish Academy Institute of Sciences in Warsaw. She conducts research on polish art of 70s. Head of Arton Foundation (Warsaw), non-profit organization, concentrates on researching and exhibiting polish art of the 70’s. The curator of contemporary art exhibitions, including “Conceptualism. Photographic medium “(Lodz, Poland, 2010) and” Conceptual Photography Poland “(Berlin 2011), “Doing the Impossible Light” (in cooperation with Florian Zeyfang (Warsaw 2015) and many others. Co-author and co-editor books devoted to the polish art of 70s. Lecturer at Warsaw University and Collegium Civitas (Warsaw).